The Invention of Hugo Cabret
Author/Illustrator: Brian Selznick
One word. MASTERPIECE!
The Invention of Hugo Cabret is an incredible book, the like of which I have never seen before. It’s a decadent visual treat as well as a gripping and wonderful story. It falls into its own category of part graphic novel, part novel, part cinema, part picture book with the occasional still of silent movies thrown into the mix.
The Invention of Hugo Cabret is the story of a young boy who lives in a train station in 1930’s
He also steals mechanical parts from a toymaker. Hugo found an automaton in the ashes of the museum fire that killed his father and is determined to bring it to life, thinking that somehow, someway it will bring his father back since his father was quite obsessed with it before he died. Hugo gets caught stealing a toy mouse and becomes involved with the mysterious toymaker and his ward Isabel. The plot gets more and more intricate as it goes along and the mystery deepens until its marvelous ending. The great storytelling in this book doesn’t just rely on the pictures or artwork, rather each both text and art blend together to tell you an amazing tale. Each compliments the other and each balances each other out.
Each page takes you deeper into the mystery, tells more about the history of silent film and of one of its pioneer’s Georges Melies and his 1902 masterpiece, A Trip to the Moon. Selznick gives quite a bit of history of both automata and Georges Melies and gets the reader wanting more. Luckily, he includes lists of places to find out more as an appendix to the book. The book is huge and may be a little daunting for children or adults when they first see the size of it, but push, shove, do whatever you have to do to get them to open that first page because then, you’re hooked.
The book reminds me of a comic or a flipbook in that it has quite long sections of black and white sequential art telling the story without text. The illustrations in that art are gorgeous. They’re all done in these amazing pencil drawings that look like charcoal sketches and the detail is sublime.
The faces, especially the eyes are mesmerizing in their depth, beauty and seem stunningly lifelike yet with the haunting quality of a dream. The silent movie stills along with archival photographs of the era contribute to the dreamlike, silent film feels of the book. I loved how pages mimicked the pan of a camera and how drawings are set on black background to get that feel of old photographs or stills. It’s pure wonderful genius!
For more info on the book look here.
Word has it that book has been optioned by Warner Brothers and that Martin Scorcese has potentially signed on to direct the film.