The First Tortilla: A Bilingual Story

The First Tortilla: A Bilingual Story
Author: Rudolfo Anaya
Illustrator: Amy Cordova
Publisher: University of New Mexico Press
ISBN-10: 0826342140

Rudolfo Anaya, author of one of my all-time favorite books, Bless Me Ultima has written a magical and lovely folktale about the origins of that of us Mexicanos/Chicanos, the delicious tortilla. The First Tortilla is the story of Jade, an indigenous girl that lives in a small village near a volcano. Her village has been suffering through a drought and all their squash and bean plants are dying. Jade prays to the Mountain Spirit to bring rain so that the precious plants will live and her village won’t go hungry.

As Jade works in the garden, a blue hummingbird brings a message to go find the Mountain Spirit and ask for rain. Without a question for her safety Jade sets off, braving the volcano and follows the hummingbird to the very top where she meets the Mountain Spirit. She offers the spirit food made by her own hand and he is so pleased with it that he gives her the gift of corn which the ants have in a cave.

Jade tastes the corn and finds it to be sweet and delicious. She takes it back to the village and plants it. As the prayed for rain comes, the corn grows alongside beans, squash and chiles. Jade grinds the harvested dried corn, adds water and makes masa. She puts it on a comal or griddle and the smell soon permeates the village. Her parents taste it and find the corn tortilla to be wonderful. Soon Jade is teaching everyone how to make the tortillas and the people have a new staple.

I loved this story. It has elements of old Aztec legends like the ants in the cave with the corn. It gives a feel to how important water was and is to people. It tells how water was so important that people would move from a village if there was no rain. Children will get a sense of the importance of the tortilla as a staple.

Amy Cordova’s rich and colorful illustrations give a beautiful insight into the village life. Her depcitions of those beautiful indigenous faces are just amazing and give children a sense of how they lived and dressed.

I loved how the hummingbird, such an important figure in Aztec mythology was incorporate into the tale. This book is bilingual and the translation by Enrique R. Lamadrid is smooth and almost effortless. The book is recommended for ages 9-12 but I think children of pre-school age will love this book just as much. The bright colors and stunning illustrations are sure to capture their eyes and interest as much as the story read to them will capture their imagination and heart. Highly recommended.


Book Description from the publisher:

The First Tortilla is a moving, bilingual story of courage and discovery. A small Mexican village is near starvation. There is no rain, and the bean and squash plants are dying.

Jade, a young village girl, is told by a blue hummingbird to take a gift to the Mountain Spirit. Then it will send the needed rain.

Burning lava threatens her, but Jade reaches the top of the volcano. The Mountain Spirit is pleased. It allows the ants in a nearby cave to share their corn with Jade. The corn was sweet and delicious and Jade took some back to save the village.

Jade grinds the dry corn, adds water, and makes dough. She pats the masa and places it on hot stones near the fire. She has made the first tortilla. Soon the making of corn tortillas spreads throughout Mexico and beyond.

Reading level: grade 3 and up

The story of a young Mexican girl who saves her village by making the first tortilla with the help of the Mountain Spirit.

About the Author
Rudolfo Anaya, widely acclaimed as one of the founders of modern Chicano literature, is professor emeritus of English at the University of New Mexico. Anaya was presented with the National Medal of Arts for literature in 2001 and his novel Alburquerque (the city's original Spanish spelling) won the PEN Center West Award for Fiction. He is best known for the classic Bless Me Ultima. Amy Córdova is an instructor for the Taos Institute of Arts, Taos, New Mexico. She wrote and illustrated Abuelita’s Heart. Enrique R. Lamadrid is professor of Spanish folklore and literature at the University of New Mexico. In 2005, he was awarded the Americo Paredes Prize by the American Folklore Society in recognition of his work as a cultural activist.

A Seed is Sleepy

A Seed is Sleepy
Author: Dianna Hutts Aston
Illustrator: Sylvia Long
Publisher: Chronicle Books
ISBN-10: 0811855201
ISBN-13: 978-0811855204

The author and illustrator of the gorgeous An Egg is Quiet join together once again to create an astounding illustrated introduction to the life of a seed. Long’s amazingly detailed watercolors showcase many different types of seeds. The pages are slightly reminiscent of Victorian botanical drawings but these are so much richer in color, depth and scope. Each painting is something special, a treasure to be enjoyed for many years. The succinct and poetic text is just enough information for a very small child and enough of a nip to send an older one (or adult) running to the library to find out more. I love books like that, ones that get you fired up about something you’d otherwise not have an interest in. Now I’m excited about seeds!

The text is poetic too.

“A Seed is Inventive

To find a spot to grow,
A seed might leap from its pod,
[violet]
or cling to a
child's shoestring,
[cocklebur]
or tumble through
a bear's belly.
[Red huckleberry]
A seed hopes to land where
there is plenty of
sunlight, soil, and water.”

How about this wonderful phrase?

“Some have lain dormant, or slept undisturbed, for more than a thousand years”

Makes me just say oooooh.

I can’t say enough about this wonderful book except to say that I dearly hope this fantastic duo does another book. A Seed is Sleepy is a perfect gift for anyone of any age. Even non-book lovers will love this book for its glorious color and appreciation of nature.

If you visit Chronicle Books website, there are posters to print out!

The Incredible Book Eating Boy

The Incredible Book Eating Boy
Author/Illustrator: Oliver Jeffers
Publisher: Penguin Philomel
ISBN-10: 9780399247491

The Incredible Book Eating Boy was a title that immediately caught my attention. I love books and I always want to read books about books. Imagine my delight when I found this gem by Oliver Jeffers. I was intrigued.

Henry is a boy who one day just took a bite of a book and liked it so much he started eating books. He found that the more he ate the smarter he got so he kept on eating them. Red ones are his favorite. Soon Henry is super smart but he’s also getting sick. Worse, his stomach and the knowledge he got from the books is getting all jumbled up and he’s making mistakes – big ones. What’s he going to do?

I loved it! The story was so funny. I just laughed and laughed and laughed all through it. I loved Henry and how he loved books. He loved them even more than I do. The illustrations were so clever and funny as well. I just couldn’t stop smiling through it. I loved the little bite taken out of the corner of the cover too. Very clever touch!

I loved it so much I couldn’t wait to share it with my grandchildren, Aiden and Jasmine. I had to have them over a day earlier than I usually do. I handed Jasmine, the four-year old the book solemnly and waited. I didn’t wait long. She looked at the cover and smiled. Then she turned it over and saw the bite and her eyebrows crinkled. “Grammy”, she said in her ooh you’re in trouble tone “who was bad and bit the book?”

Then I read it to them. Aiden kept laughing and pointing to different sections of the pages (he’s 18 months) and Jasmine laughed and laughed at the story and the drawings. At the end of the book she laughed and said, “Grammy, Henry was silly. Everyone knows you get smart by reading books, not eating them.” Smart girl. I asked if she liked it and she said, “I loved this book! May I take it home?” It lives at her house now and I’ll have to get another.

Bottom line? It’s quite wonderful.

Fred Patten Reviews Amid Amidi's Cartoon Modern

Cartoon Modern: Style and Design in Fifties Animation
Author: Amid Amidi
Artist: Adam Stower
Publisher: Chronicle Books
ISBN 10: 0-8118-4731-4
ISBN 13: 978-0-8118-4731-5

Up to about 1950, there was only one art style in theatrical animated cartoons; the “pictorial realism” established by Walt Disney. Then, beginning in the late ‘40s, new studios emerged with radically different cartoon styles that could never be mistaken for Disney’s.

This beautifully designed 200-page book examines in detail, with color illustrations on almost every page, the explosion of “modern art” styles in cartoons of the 1950s. Amidi traces it back to the early 1940s, when a non-Disney style began to appear in industrial films produced by small, new studios. The ‘50s not only brought new studios like UPA (the Mr. Magoo cartoons, among others) to theater-goers’ attention, but the new medium of television brought cartoons into every home with animated TV commercials for adults, not to mention TV cartoons produced for children. In addition, established theatrical animation studios like Warner Bros., Terrytoons, and Disney itself began to embrace stylized modernism in their works.

Amidi studies the American cartoon animation of the 1950s on a studio-by-studio basis. Some studios, especially those that concentrated on TV commercials, are virtually unknown by name today, but their work was highly influential at the time and is still remembered by nostalgic fans of “classic TV”: the Hamms Beer Bear, Bucky Beaver promoting Ipana toothpaste, and the like. Warner Bros. and Disney are shown to have adopted modernism to an extent often forgotten today, such as WB’s heavy use of abstractly stylized backgrounds by Maurice Noble and Disney’s surrealistic Tomorrowland TV features like “Mars and Beyond” by Ward Kimball. The cartoons of UPA (United Productions of America) represented the pinnacle of “anti-Disney” modernistic art, and Cartoon Modern devotes many pages to its most daring and critically-acclaimed cartoons such as “Rooty-Toot-Toot” and “The Tell-Tale Heart”.

Academy Pictures. Grantray-Lawrence Animation. John Sutherland Productions. Playhouse Pictures. Shamus Culhane Productions. These and other studios are profiled, along with the directors and art designers that created their works. The graphics include animation model sheets, design sketches, cels, background paintings, candid photos, posed group photos, and more, many never published before. Cartoon Modern is an essential book for anyone who wants to know about American animation in the 1950s, when it was transitioning away from dominance by the theatrical market to television, and the “classic Disney look” was being added to by dozens of more modernistic art styles.

Mi Hija, Mi Hijo, El Aguila, La Paloma: Un Canto Azteca

Ana Castillo, the reknowned Xicana poet, novelist and essayist has written one of the loveliest little children’s book I’ve ever seen. It is a blessing and a prayer based on an old Aztec flor y canto beautifully illustrated by Susan Guevara.

The book is small and looks something like the facsimiles of the old Aztec codices. It is written Spanish. It begins with Mi Hija, La Paloma, or My Daughter, the Dove; a canto designed to teach little girls of their preciousness, beauty and how to live their lives. It has a charming lilt to it. The first stanza begins:

“Mi hija, preciosa,
como un collar de oro
preciosa
como una pluma de quetzal,
tu eres mi sangre,
mi imagen - ”

“My daughter,
precious like a golden necklace
precious
like the feather of a quetzal,
you are my blood
my image - ”

It continues to extol the virtues of the daughter as well as giving some life lessons, reminding the daughter not to be lazy, to study, to work. It tells that a girl must learn to live her life on the right path.

The second section is written for a boy, Mi Hijo, El Aguila, El Tigre or My Son, The Eagle, The Tiger begins:

“Mi hijo,
aguila y tigre,
ala y cola
Hijo mio,
Tan querido, tan amado –
¡escuche!”

“My son,
eagle and tiger,
wing and tail,
My son,
So dear, so loved –
listen!”

It goes on to speak of ancestors, of pride, or what our ancestors have left for us in lessons, in our culture, our heritage. It tells of doing good works, becoming a good man, of living life with care and dignity. It asks that the son listen with his heart and go on to become a good man.

The book is illustrated with Aztec symbols from the old codices as well as delicate and powerful paintings on amatl paper or tree bark in the indigenous tradition. The paintings, while done in the style of the ancient people are of contemporary children and their parents and surprisingly, fit in perfectly with the Aztec symbols and images.

It is an astounding message, a lovely and loving book and a testament to Ms. Castillo’s love of our culture. She and Ms. Guevara have created a lasting and honorific tribute to our ancestors as well as a beautiful and contemporary moral poem for children and parents to enjoy for years to come.

Benjamin & the Word

Benjamin and the Word is a beautiful grade 1-3 picture book which delivers a powerful message about the issues of bigotry, race and difference.

Benjamin is on the playground playing when suddenly he hears “the word”. The book doesn’t tell you which word it was that hurt him so and bothered him so much and this absence just makes it that much more powerful. We don’t need to know the word to know that words hurt and that children can be cruel to each other.

In the story Benjamin is hurt and it shows. The word is eating at him and his father sees that something is bothering his child. He waits for Benjamin to tell him what transpired and once hearing the word, he skillfully teaches his son his own worth.

Mr. Olivas, who scared us with his Devil Talk, now takes us on a journey through childhood and the playground. He skillfully shows us how we learn racism and bigotry and how it can be unlearned; how children can be educated to be accepting and aware of the impact of their words.

Don Dyen, the illustrator has masterfully captured the essence of this simple, yet powerful punch of a story with soft watercolors that bring the quality of a dream to this rich and colorful book.

I encourage all parents to buy this book for your children and to be honest, maybe we all need to read it. It brought home some simple truths to me and made me reconsider some things I would have said without thought. Be careful of your words.

The Woman Who Outshone the Sun

This is one of my most beloved children’s books.

The Woman Who Outshone the Sun/La mujer que brillaba aún más que el sol is such a beautiful and moving story. It is based upon a poem by Alejandro Cruz Martinez, who was a young Zapoteca poet who spent years collecting the oral traditions of his people. The Zapotecas are great storytellers and the tale of Lucia Zenteno comes from that grand tradition. In 1986 he published his version of this story as a poem and was later killed in 1987 while organizing the Zapotecas to regain their lost water rights.

The book is about Lucia Zenteno, a woman who was so beautiful she outshone the sun. All of nature loved Lucia and in this magical story, the fish in the river and the river itself love her so much that she combs them in and out of her glorious long black hair. The people of the village, however are afraid of her because she is different. They whisper about her and are so cruel in their fear of her. The village elders are different. They warn the villagers that Lucia is a woman in touch with nature and they hurt her at their own peril but the villagers don’t care to listen. She is too different, too odd. Finally, Lucia, hurt by their taunts and whispers, leaves the town followed by her beloved pet iguana.

The river and nature mourn her loss and leave with Lucia caught up in her hair. It is only when the village, now desolate and dry that the villagers repent of their cruelty and seek Lucia out.

The book is fabulously illustrated with lush and magical paintings by the acclaimed painter Fernando Olivera who was a close friend of Alejandro Cruz Martinez. Each page is a fantasy of beautiful Zapoteca indigenous dress, nature, animals and of course, the river which is as much an important character as Lucia Zenteno.

The story has a strong moral message for both adults and children and I cannot help but think that to Cruz Martinez, this story was an allegory for the water rights he died defending as the water plays such an important role. His widow gave Children’s Book Press – a wonderful independent publisher that specializes in multi-cultural books that is based in San Francisco the permission to adapt the story and all royalties are paid out to her.

I encourage everyone to purchase this book and to read it to your children or just enjoy it yourself. It is bilingual in English and Spanish and is just such a beautiful and compelling book.