"I cannot sleep unless I am surrounded by books."

Borges

Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts

Tuesday, June 12, 2007

Korgi


Korgi
Author: Christian Slade
Publisher Top Shelf Productions
ISBN-10: 1891830902
ISBN-13: 978-1891830907


Be prepared for something wonderfully different when you open Korgi. The lushly illustrated graphic novel is entirely silent but for the few words at the beginning. Each page is so rich and expressive that words aren’t needed. Slade, a former Disney animator knows how to tell an evocative story that doesn’t need words. This could be animated and work very well.

The story is about Ivy, a young Molly and her Korgi, a fox/dog like creature named Sprout. Ivy and Sprout venture out of their happy world and encounter dangers and adventures of all sorts. There’s a huge troll, scary spiders who capture Ivy and Sprout in their webs and various ghoulish creatures. What shines through each page is Ivy and Sprout’s complete devotion to each other. Through their adventure, they find abilities they didn’t know they had as well as a deeper appreciation for home.

The illustrations are so gorgeous that I can’t say enough about them. Each page works as a silent portion of a storyboard and each is filled with so much emotion and expression that they seem to come to life. Korgi is intricate, simple and completely wonderful. This is the first in an upcoming series and sure to be a raging success. I wonder how long it will take this one to get animated. It seems a natural for the medium. I’d certainly go see it. Korgi is highly recommended for any age. Lovers of animation and art should definitely snap this one up.

Check out the trailer here: http://www.topshelfcomix.com/korgi-trailer/

Book Description from the publisher:

Christian Slade, a former Disney animator and currently full-time freelance illustrator, has brought to Top Shelf a gorgeously illustrated woodland fantasy about a young girl named Ivy, her dog Sprout and their amazing adventures in Korgi Hollow. This amazing combination of adventure and fantasy will appeal to anyone who loves Andy Runton's Owly and Jeff Smith's Bone. Get ready for the launch of something very daring and very new!

Wednesday, April 04, 2007

Fred Patten Reviews Walt Disney: The Triumph of the American Imagination




Walt Disney: The Triumph of the American Imagination
Author: Neal Gabler
Publisher: Knopf
ISBN; 10: 0-679-43822-X
ISBN; 13: 978-0-679-43822-9

This massive biography – over 600 pages, plus over 200 more of notes, appendices, bibliographies, and index – is advertised as “the definitive portrait of one of the most important in twentieth-century American entertainment and cultural history. […] meticulously researched – Gabler is the first writer to be given complete access to the Disney archives […]”

It probably is definitive. It is notable that where virtually every other Disney biography since his death in 1966 has been heavily criticized by animation experts for gross factual errors and deliberate misrepresentation of his attitudes or motives (such as claiming that Disney was a spy for the FBI, encouraged anti-Semitism, or was really an illegitimate son of a Spanish dancer), the worst that Gabler’s critics have been able to accuse him of are minor errors on the level of whether serious production of Snow White and the Seven Dwarfs began in September 1936 or several months earlier. These errors may be significant to cinematic historians, but the average reader will find them trivial.

Gabler’s book, with more than 65 photographs from throughout Disney’s life plus other graphics such as a teenage life sketch and his first business card, ought to replace every popularized Disney biography previously written.

There are no big surprises here, and there is much detailed information about events glossed over in previous biographies. For example, every book has told how Disney created Mickey Mouse to replace his earlier cartoon star Oswald the Lucky Rabbit when the latter was stolen from him, but few have told exactly how this happened. Gabler devotes five pages to the event, giving names and dates. Want to know about the notorious but previously vaguely-described Disney studio strike of 1941? Gabler gives it pages 356 to 371, again going into detail. Any questions that a reader may have about Disney’s personal life or his career should be answered in this book.

To a large extent, Disney’s story is the story of the whole American animation industry. Many of the men who became famous at other studios in later years, such as Warner Bros.’ animation director Friz Freleng and music arranger Carl Stalling, got their start among Disney’s first employees.

Gabler notes how many other studios hired away some of Disney’s best men to create cartoons for them during the 1930s, or during the ‘40s made parodies of Disney’s features such as WB’s Coal Black and de Sebben Dwarfs and A Corny Concerto. It would be an exaggeration to say that Walt Disney: The Triumph of the American Imagination can serve as a one-volume history of the animation industry, but it is without doubt an essential read for every animation fan and an essential purchase for every public and academic library.

Friday, March 23, 2007

The Coolest News I've Seen Today

AWN.com has the coolest news today! Animation being created in subway tunnels! Here's the link and I want to know what everyone thinks!

Fred Patten Reviews Amid Amidi's Cartoon Modern


Cartoon Modern: Style and Design in Fifties Animation
Author: Amid Amidi
Artist: Adam Stower
Publisher: Chronicle Books
ISBN 10: 0-8118-4731-4
ISBN 13: 978-0-8118-4731-5

Up to about 1950, there was only one art style in theatrical animated cartoons; the “pictorial realism” established by Walt Disney. Then, beginning in the late ‘40s, new studios emerged with radically different cartoon styles that could never be mistaken for Disney’s.

This beautifully designed 200-page book examines in detail, with color illustrations on almost every page, the explosion of “modern art” styles in cartoons of the 1950s. Amidi traces it back to the early 1940s, when a non-Disney style began to appear in industrial films produced by small, new studios. The ‘50s not only brought new studios like UPA (the Mr. Magoo cartoons, among others) to theater-goers’ attention, but the new medium of television brought cartoons into every home with animated TV commercials for adults, not to mention TV cartoons produced for children. In addition, established theatrical animation studios like Warner Bros., Terrytoons, and Disney itself began to embrace stylized modernism in their works.

Amidi studies the American cartoon animation of the 1950s on a studio-by-studio basis. Some studios, especially those that concentrated on TV commercials, are virtually unknown by name today, but their work was highly influential at the time and is still remembered by nostalgic fans of “classic TV”: the Hamms Beer Bear, Bucky Beaver promoting Ipana toothpaste, and the like. Warner Bros. and Disney are shown to have adopted modernism to an extent often forgotten today, such as WB’s heavy use of abstractly stylized backgrounds by Maurice Noble and Disney’s surrealistic Tomorrowland TV features like “Mars and Beyond” by Ward Kimball. The cartoons of UPA (United Productions of America) represented the pinnacle of “anti-Disney” modernistic art, and Cartoon Modern devotes many pages to its most daring and critically-acclaimed cartoons such as “Rooty-Toot-Toot” and “The Tell-Tale Heart”.

Academy Pictures. Grantray-Lawrence Animation. John Sutherland Productions. Playhouse Pictures. Shamus Culhane Productions. These and other studios are profiled, along with the directors and art designers that created their works. The graphics include animation model sheets, design sketches, cels, background paintings, candid photos, posed group photos, and more, many never published before. Cartoon Modern is an essential book for anyone who wants to know about American animation in the 1950s, when it was transitioning away from dominance by the theatrical market to television, and the “classic Disney look” was being added to by dozens of more modernistic art styles.

Thursday, February 08, 2007

Flight, Volume 3


Flight, Volume 3

Authors/Illustrators:

Chris Appelhans• Matthew Armstrong • Neil Babra • Bannister • Chuck BB • Catia Chien • Tony Cliff • Becky Cloonan • Phil Craven • Matthew Forsythe • Alex Fuentes • Michel Gagne • Rodolphe Guenoden • Steve Hamaker • Paul Harmon • Ben Hatke • Azad Injejikian• Kazu Kibuishi • Khang Le • Reagan Lodge • Johane Matte • Bill Plympton • Dave Roman • Israel Sanchez • Rad Sechrist • Kean Soo • Yoko Tanaka • Joey Weiser

Publisher: Ballantine Books
ISBN-10: 0345490398
ISBN-13: 978-0345490391


Flight, Volume 3 is one of the most visually arresting, sumptuous books I’ve ever seen. The art is simply glorious. Every page is a step into a dream of illustration by various illustrators, artists, and animators. As if this feast for the eyes in is this third volume in an astounding series weren’t enough, the writing and storytelling is this book are simply phenomenal.

Underworld, animator Michael Gagne's tale of a heroic young fox who battles a serpentine beast underground is undeniably eloquent and touching. It is told visually and amazed me to no end at just how much could be said without words.

In The Cloud, longtime animation veteran Bill Plympton tells the story of a little cloud who just wants to float along into different shapes who’s elders try and get him to conform to their rules. Plympton makes a great statement in this story about standing out and marching to your own drum. I loved it and wanted more.

One of my favorites was Kean Soo’s Jellaby a heart wrenching story of a little girl having a tea party with a monster. Simply beautiful.

Kazu Kibushi is the editor and driving force behind the book and deserves to be commended for this sublime volume. This book is highly recommended and should be on every library’s shelf.

Wednesday, January 24, 2007

Rick's Flicks Picks

Rick DeMott mentioned before in the Oscar Showcase post has just launched a long awaited and much anticipated film blog!

This is his announcement:

For longer than I can remember I have been promising many of you that I would eventually turn my movie review newsletter into a website. Well, the day has come. With 780 reviews already online, there are still many more archival reviews yet to post, but new stuff is being added all the time. Please check back frequently for new content and an improved look. Sharing the site with all your friends is always welcome. Thanks for all the support. So with no further ado...http://ricksflickspicks.animationblogspot.com/

Please swing by Rick's ("sooner or later everyone comes to Rick's") and show him some love.

Tuesday, January 23, 2007

The AWN Oscar Showcase

I wanted to take a moment away from books and let everyone know about the AWN Oscar Showcase. The Oscar Showcase is the labor of love from the staff at AWN.com, a company I used to work for and foolishly left to move to San Diego. The staff get up at the crack of dawn, Sarah trudges down to the Academy to await the announcement of the Oscar nominations for animation, then she calls AWN (who are there at 5am, sometimes 4:30 feverishly working on the techinical stuff) and gives them the list of nominees. They work even more feverishly and get that marvelous toy called the Oscar Showcase up and running on the site. The Oscar Showcase has video clips of each of the nominated features and shorts. There's a tremendous amount of work that goes into doing this, they have to get the clips, images, permissions, links have to work, images need to fit, etc. It's a labor intensive process and it's simply astoundinghow much this small group of people get done.

Check it out here: http://www.awn.com/oscars07/


AWN is the acronym for Animation World Network, an all online trade publication dedicated to serving the animation community and they've been around a long time. They are a tremendous resource for anyone interested in animation, have an eleven year resource of in-depth articles and news, they have an educational focus and, I'm told are used as a teaching tool in many animation schools. They also have an event calendar, a book corner (yeah you thought we were getting completely away from books?), community forums and my favorite thing of all, the AIDB (AIDB.com).

The AIDB is an animation industry database with over 9000 companies (I may be exaggerating but not by much) including schools listed. You can access it for free! It's like the 411 for animation and it's updated constantly. The AIDB is one of the most sophisted databases I know and I LOVE databases. It's an obsession. Dan Sarto, the publisher at AWN loves databases with a passion that surpasses mine and he made sure to include all kinds of neat functionality to the AIDB. Check it out, it rocks.

AWN is run by a small staff of extremely dedicated and hard-working folks that made my time there a joy. I miss them all very much on a day-to-day basis even though I see them every so often. Here's a list of the people that make AWN happen.

Ron Diamond - President and co-founder - Ron is also the President of Acme Filmworks (www.acmefilmworks.com). He's a super nice guy and an award winning producer.

Dan Sarto - Publisher, co-founder, lover of South Park, databases and my famous adobo. He's the guy to go to with questions about anything animation or medical biology. Dan is often invited to speak at animation events like one he did in Hong Kong a couple of years ago. He and his wife Debbie have three daughters, all readers.

Sarah Baisley - Editor in Chief, lover of horoscopes and wine, encyclopedia of all things animation. She's worked for Phil Roman, Hanna Barbera and some other big places I can't remember at 6:00 a.m. She often is invited to sit on panels and talk about animation. She recently was at a Comic Con panel and I had the pleasure of watching everyone in a packed room hang on her every word.

Bill Desowitz - VFXWorld Editor - Did I not mention VFXWorld? Silly me. VFXWorld is AWN's baby. VFXWorld covers visual effects and it is super cool. You want to know how they make dragons fly, armies of goblins, stalking Ents? Head on down to VFXWorld.com and subscribe to their newsletters. You'll find their content married onto the AWN site as well, so it's an easy hop over. Bill has two cute little boys.

Rick DeMott - Managing Editor - Rick is amazing. Rick is a film buff and puts out his own (on his own time) massive film review newsletter. I don't know how he gets the time to view all these movies, much less write about them but he does and it's astounding. Somewhere in there he finds time to post news, manage stuff and run the event calendar among many other things.

Deron Yamada - Art Director - Deron is an amazing graphic artists. He's responsible for making everything look pretty (will probably wince at the word pretty) on AWN. He's from Hawaii and is laid back and cool.

Darlene Chan - Editorial Administrator. Darlene gets all the permissions to use images for articles, she tracks down headshots of animators and others, she spends lots of time on the phone and is very particular about making sure that everything is in order. She has a neat son named Enzo who writes very nice thank you notes and puts cool drawings on them. Enzo is a big reader.

Then there are the new folk that I don't know that well but they're super nice too. There's Andy Strum (contact him to advertise on AWN), Michelle Lim, Greg Singer (who can never eat what I cook because I just can't figure out how to make Mexican food vegan) and Mark Rebec.

Swing by AWN.com and take a stroll. You'll be addicted, I promise. That's it for me, I have to go to work, I'm late!

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