"I cannot sleep unless I am surrounded by books."

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Showing posts with label cartoons. Show all posts
Showing posts with label cartoons. Show all posts

Sunday, June 24, 2007

The Absolutely True Diary of a Part-Time Indian


The Absolutely True Diary of a Part Time Indian
Author: Sherman Alexie
Drawings: Ellen Forney
Publisher: Little, Brown Books for Young Readers
ISBN-10: 0316013684
ISBN-13: 978-0316013680

Sherman Alexie’s first novel for young adults is the heart wrenching/heart warming story of Arnold, a 14-year old budding writer/cartoonist living on the Spokane Indian Reservation. Life isn’t so great for Arnold or Junior Spirit. His dad drinks way too much as do many of the people on the rez. His mother is a recovering alcoholic.

Arnold Spirit Junior is a bit of a mess, he was born with water on his brain that caused a series of health problems. He’s skinny, wears glasses, has ten extra teeth and gets picked on all the time by the other kids. With all this he still manages to be wry, funny, discerning (especially with adult’s problems) and completely endearing. He has one friend, the angry, abused boy Rowdy who is his defender, confidant and eventually his enemy.

Most of the people he knows are terribly poor. The reservation is so poor, in fact that on his first day of school in his new geometry class Arnold discovers he’s been given the same geometry book his mother had when she attended that school some 30 years before.

"It sucks to be poor, and it sucks to feel that you somehow deserve to be poor. You start believing that you're poor because you're stupid and ugly. And then you start believing that you're stupid and ugly because you're Indian. And because you're Indian you start believing you're destined to be poor. It's an ugly circle and there's nothing you can do about it."


In his rage, Arnold tosses the book across the room and manages to hit the teacher, breaking his nose. That serves as a catalyst for what Arnold decides to do with his life.
"You can't give up. You won't give up. You threw that book in my face because somewhere inside you refuse to give up.”
"I didn't know what he was talking about. Or maybe I just didn't want to know.
"Jeez, it was a lot of pressure to put on a kid. I was carrying the burden of my race, you know? I was going to get a bad back from it.
" 'If you stay on this rez,' Mr. P said, 'they're going to kill you. I'm going to kill you. We're all going to kill you. You can't fight us forever.'
" 'I don't want to fight anybody.' I said.
" 'You've been fighting since you were born,' he said. 'You fought off that brain surgery. You fought off those seizures. You fought off all the drunks and drug addicts. You kept your hope. And now, you have to take your hope and go somewhere where other people have hope.'
"I was starting to understand. He was a math teacher. I had to add my hope to somebody else's hope. I had to multiply hope by hope.
" 'Where is hope?' I asked. 'Who has hope?'
" 'Son,' Mr. P said. 'You're going to find more and more hope the farther and farther you walk away from this sad, sad reservation.' "

Arnold decides to take Mr. P's advice leave the reservation school and go to the middle class all white school twenty-two miles away from his reservation. There, he meets the beauteous Penelope and discovers a whole new world. The decision causes a lot of jealousy and resentment on the rez for Arnold and he lives with a constant barrage of hatred from the children including his once friend Rowdy. They think he’s sold out, turned white and that’s something the kids on the rez can’t forgive. The rift with Rowdy is the worst of it and Arnold suffers incredible lonliness and hurt, yet sticks by his decision. He's a brave boy.

Arnold battles through it all and finds he can triumph. That even through the worst adversity like the death of a loved one, he still has his education, his new friends he’s made and that when push comes to shove his family some old friends on the rez are there for him. His optimism and hope shines through the pages and makes you smile.

Arnold’s engaging and entertaining diary tackles rough subjects like death, alcoholism, poverty, jealousy and racism with a deft hand. You can't but help falling in love with Arnold. The wonderful cartoons and drawings by Ellen Forney appear to be pasted onto the pages of his diary giving it depth and life. The Absolutely True Diary of a Part-Time Indian is a must have book and I can't speak highly enough of it.



Book Description from the publisher:
In his first book for young adults, bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by acclaimed artist Ellen Forney, that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live.

Friday, March 23, 2007

Fred Patten Reviews Amid Amidi's Cartoon Modern


Cartoon Modern: Style and Design in Fifties Animation
Author: Amid Amidi
Artist: Adam Stower
Publisher: Chronicle Books
ISBN 10: 0-8118-4731-4
ISBN 13: 978-0-8118-4731-5

Up to about 1950, there was only one art style in theatrical animated cartoons; the “pictorial realism” established by Walt Disney. Then, beginning in the late ‘40s, new studios emerged with radically different cartoon styles that could never be mistaken for Disney’s.

This beautifully designed 200-page book examines in detail, with color illustrations on almost every page, the explosion of “modern art” styles in cartoons of the 1950s. Amidi traces it back to the early 1940s, when a non-Disney style began to appear in industrial films produced by small, new studios. The ‘50s not only brought new studios like UPA (the Mr. Magoo cartoons, among others) to theater-goers’ attention, but the new medium of television brought cartoons into every home with animated TV commercials for adults, not to mention TV cartoons produced for children. In addition, established theatrical animation studios like Warner Bros., Terrytoons, and Disney itself began to embrace stylized modernism in their works.

Amidi studies the American cartoon animation of the 1950s on a studio-by-studio basis. Some studios, especially those that concentrated on TV commercials, are virtually unknown by name today, but their work was highly influential at the time and is still remembered by nostalgic fans of “classic TV”: the Hamms Beer Bear, Bucky Beaver promoting Ipana toothpaste, and the like. Warner Bros. and Disney are shown to have adopted modernism to an extent often forgotten today, such as WB’s heavy use of abstractly stylized backgrounds by Maurice Noble and Disney’s surrealistic Tomorrowland TV features like “Mars and Beyond” by Ward Kimball. The cartoons of UPA (United Productions of America) represented the pinnacle of “anti-Disney” modernistic art, and Cartoon Modern devotes many pages to its most daring and critically-acclaimed cartoons such as “Rooty-Toot-Toot” and “The Tell-Tale Heart”.

Academy Pictures. Grantray-Lawrence Animation. John Sutherland Productions. Playhouse Pictures. Shamus Culhane Productions. These and other studios are profiled, along with the directors and art designers that created their works. The graphics include animation model sheets, design sketches, cels, background paintings, candid photos, posed group photos, and more, many never published before. Cartoon Modern is an essential book for anyone who wants to know about American animation in the 1950s, when it was transitioning away from dominance by the theatrical market to television, and the “classic Disney look” was being added to by dozens of more modernistic art styles.

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